In a modest makeshift workshop tucked inside the crowded Nuseirat refugee camp in central Gaza, the soft sound of an oud echoes through the ruins of the Israeli genocidal war.
Surrounded by wooden pallets, fragments of crates that held humanitarian aid, and the pieces of damaged instruments, Palestinian craftsman Suhail Abu Shawish bends carefully over a battered oud, tuning its strings after days of painstaking repair.
The treasured instrument — scarred by shelling and destruction during the war in Gaza — is one of many that have found their way to his workshop.
“Young people have started sending their instruments to me for repair,” Abu Shawish told AFP, as a customer walked into his workshop carrying damaged instruments wrapped in black plastic bags.
Several restored instruments, bright and shining, hang on the workshop walls — symbols of resilience, music and craftsmanship in the shadow of war.
For the 60-year-old Abu Shawish, repairing ouds is far more than a profession.
His repairs are a mission to preserve a cherished part of Palestinian cultural identity at a time when so much else has been lost.
A father of five, Abu Shawish learnt to play the oud in the 1980s. He later worked with several institutions, where he became an expert in the conservation and restoration of musical instruments.
With no proper workshop, scarce materials and frequent power shortages, the craftsman relies almost entirely on hand tools.
During the war, he was displaced to the southern city of Rafah before eventually returning to his home in Nuseirat camp.
Working in his workshop, he cuts wood manually with a saw, smooths surfaces with a file, and painstakingly glues together shattered pieces that many would deem beyond repair.
“Despite the shortage of wood and its high prices, they turn to me,” Abu Shawish said.
“Despite the hardship of war, we continue to work,” said the white haired musician, dressed in a blue shirt and jeans.
For him, every restored instrument is a small victory against the devastation surrounding him.
“I love buying ouds, and I am also an oud player,” Abu Shawish said.
‘Made in Gaza’
Customers arrive hoping he can restore the warm, distinctive sound that has echoed through Arab culture for centuries.
Yet the challenges facing the craftsman are immense.
